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[79][80], Kabuki, another Japanese art form, has similarities to Kathakali. [28][30] These plays are written in a particular format that helps identify the "action" and the "dialogue" parts of the performance. This dance style essentially entails use of makeup, face masks, and heavy costumes. Thus Kathakali literally means 'Story-Play'. Kathakali, the 300 year old classical dance form of Kerala has combined the facets of ballet, opera, masque and the pantomime. ‘Kathakali’, an important genre in the Indian classical dance form, is associated with storytelling form of this art. Its unique costume, accessories and make-up complimented with spectacular performance, music and lightings bringing life to the characters of the great epics and legends attracts and flabbergasts both young and the old thus creating a surreal world around. For example, anger is expressed by the use of sharp high voice and pleading is expressed by the use of a tired tone. [3], Several ancient Sanskrit texts such as Natya Shastra and Hastha Lakshanadeepika discuss hand gestures or mudras. Reflections of ‘Kalaripayattu’, an ancient style of martial art that originated in Kerala is palpable from various movements of the dancers. This is perf… [69] Artist families tended to pick promising talent from within their own extended families, sometimes from outside the family, and the new budding artist typically stayed with his guru as a student and treated like a member of the family. In both traditions, the performance happens in the front of a huge Kalivilakku with its thick wick sunk in coconut oil, burning with a yellow light. Thampuran then went on and created a new form of temple art based on ‘Krishnanattam’ and named it ‘Ramanattam’. Although, there are only six forms of the classical dances recognised by the country on a national level. whereas kathakali is dance form of kerla.  ‘Krishnanattam’ dance form developed under the auspices of the Zamorin ruler of Calicut, Sri Manavedan Raja ((1585-1658 AD). [57] These plays are sophisticated literary works, states Zarrilli, and only five authors have written more than two plays. [24] The traditional legend states that Kottarakkara Thampuran (also known as Vira Kerala Varma) requested the services of a Krishnanattam troupe, but his request was denied. A ‘Minukku’ make-up using orange, saffron or yellow colour depicts virtuous and good female characters like Sita and Panchali. It draws inspiration from the Ramayana and stories from Shaiva traditions. Copyright © CulturalIndia.net   All Rights Reserved. [41] Kari (black) is the code for forest dwellers, hunters, and middle ground character. Kathakali (Kerala) Chakiarkoothu, Koodiyattam, Krishnattam and Ramanattam are few of the ritual performing arts of Kerala which have had a direct influence on Kathakali in its form and technique. [25] Kathakali also incorporates several elements from other traditional and ritualistic art forms like Mudiyettu, Theyyam and Padayani besides folk arts such as Porattu Nadakam that shares ideas with the Tamil Therukoothu tradition. [57], A tradition Kathakalī play typically consists of two interconnected parts, the third-person Shlokas and first-person Padams. The Kathakali dance is around 400 years old but its actual roots are traced to around 1500 years earlier. These two regions of India are having their own significance and totally different in traditions and culture. Traditionally performed by male dancers, it developed in courts and theatres of Hindu regions contrary to other Indian classical dances which predominantly developed in Hindu temples and monastic schools. [51], The entrance of characters onto the Kathakalī stage can be varied. The term Kathak is derived from the Vedic Sanskrit word Katha which means "story", and Kathakar which means "the one who tells a story", or "to do with stories". Let us find out various regional dance forms of India, Which Indian state is famous for traditional folk dances etc. [3] In parallel, vocalists in the background sing rhythmically the play, matching the beats of the orchestra playing, thus unifying the ensemble into a resonant oneness. Like bharatanatyam, kathakali is a religious dance. It is the dance drama from the south Indian state of Kerala. [10][49] There are nine facial expressions called Navarasas, which each actor masters through facial muscle control during his education, in order to express the emotional state of the character in the play. Kathakali is a form of dance drama, originated approximately 1500 years ago in Kerala. It originated in the state of Kerala in South India more than 500 years ago. [51] Thodayam is performed behind a curtain and without all the costumes, while Purappadu is performed without the curtain and in full costumes. The makeup men apply different colours on the face of the dancer as a mask. In olden times, the dance performance included prayer and was used to tell stories of Gods or traditional folk tales. Head gears and face masks help emphasize the face make-up which is prepared from colours extracted from vegetables and rice paste. Kalamandalam Gopi, a renowned name in ‘Kathakali’ with a career of over 30 years, is one of the most eminent representatives of the Kalluvazhi School of Kerala. They are Bharatnatyam, Kathak, Kathakali, Manipuri, Kuchipudi, and Odissi. The voice artists also contribute significantly in the entire act with not only delivering the relevant lines but also setting the mood and context of the scene by modulating their voice to express the temperament of the character. [69] Kathakali schools are now found all over India, as well as in parts of Western Europe and the United States. Since Kathakali is an indigenous Kerala art/ dance form, for the lovers of classical dance and theatre, it is ideal to watch a Kathakali performance in Kerala. Special characters like Jatayu and Garuda are adorned with a ‘Teppu’ make-up, while ‘Kari’ (black) is the code for characters like hunters and forest inhabitants. they both are different from each other. Minukka (radiant, shining) with a warm yellow, orange or saffron typifies noble, virtuous feminine characters such as Sita, Panchali and Mohini. In Kathakali it is possible for us to find the combination of Aryan and Dravidian cultures. Recent productions have adapted stories from other cultures and mythologies, such as those of Miguel de Cervantes,[61] Johann Wolfgang von Goethe and William Shakespeare. The colour code for women and monks is yellow. Historically, all these plays were derived from Hindu texts such as the Ramayana, the Mahabharata and the Bhagavata Purana. Similar to other Indian classical dance arts, the story in ‘Kathakali’ is also communicated to audience through excellent footwork and impressive gestures of face and hands complimented with music and vocal performance. [63], [67] Kathakali has traditionally been an art that has continued from one generation to the next through a guru-disciples (gurukkula[68]) based training system. Kathakali is an impressive form of classical dance originated more than 500 years ago in the southern state of Kerala. Similar to other Indian classical dance arts, the story in ‘Kathakali’ is also communicated to audience through excellent footwork and impressive gestures of face and hands complimented with music and vocal performance. [81][82] Jīngjù, a Chinese art of dance-acting (zuo), like Kathakali presents artists with elaborate masks, costumes and colorfully painted faces. It is a mixture of dance, music, and acting. [42] Face masks and headgear is added to accentuate the inner nature of the characters. [8][62], Kathakalī has lineages or distinctive schools of play interpretation and dance performance called Sampradayam. James G. Lochtefeld, Guna, in The Illustrated Encyclopedia of Hinduism: A-M, Vol. These plays are written in a particular format that helps identify the "action" and the "dialogue" parts of the performance. Natalia Lidova, a Russian scholar mentions that the text throws light upon different theories of Indian classical dances that includes theories of Tandava dance, standing postures, basic steps, bhava, rasa, methods of acting and gestures. Zarrilli also opines that presumably the dance-drama art form called ‘Krishnanattam’ that illustrates legends from the life of Lord Krishna is a precursor of ‘Kathakali’. As the play progressed, the actor-dancers would gather around this lamp so that the audience could see what they are expressing. 1, Rosen Publishing, M Innes-Brown and S Chatterjee (1999), The Relevance of the Guna Theory in the Congruence of Eastern Values and Western Management Practice, Journal of Human Values, 5(2), pages 93-102. Both dance forms employ choreography, face and hand gestures traceable to the Natya Shastra, but Kathak generally moves around a straight leg and torso movements, with no martial art leaps and jumps like Kathakali. Clifford and Betty elucidate some of the important musical arrangements typifying and going in line with the mood of the scene. It is said to be one of the most difficult styles to execute on stage, with young artists preparing for their roles for several years before they get a chance to do it on stage. The word 'Katha' in Malayalam means Story and 'kali' means Play. A divine or virtuous character is represented with a Vella Thadi make-up having a white beard. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South India. [63] By the 19th-century, many such styles were in vogue in Malayalam speaking communities of South India, of which two major styles have crystallized and survived into the modern age. The dance form originated from the Southindian state called Kerala. Traditionally the themes of ‘Kathakali’ were based on religious sagas, legends, mythologies, folklores and spiritual concepts taken from the ‘Puranas’ and the Hindu epics. [77] In both, costumed men have traditionally performed all the roles including those of women in the play. [7] The vocal performance has traditionally been performed in Sanskritised Malayalam. [18], The roots of Kathakalī are unclear. [23], Krishnanattam is the likely immediate precursor of Kathakalī, states Zarrilli. Kathakali (Malayalam: കഥകളി) is a major form of classical Indian dance. Kathakali is the traditional dance drama of Kerala. The colours of the makeup indicate the portraying of the character while dancing. Scholars like Farley Richmond mention that many elements of ‘Kathakali’ are similar to ‘Kutiyattam’, a form of Sanskrit drama traditionally performed in Kerala. ‘Kathakali’ incorporates the most intricate make-up code, costume, face masks, head dress and brightly painted faces among all Indian classical dance forms. These Colours prepared locally by the artists only. [9][74] Kathak traditionally has included female actor-dancers, unlike Kathakali which has traditionally been performed by an all-male troupe. Many of these ways are not found in other major Indian classical dance traditions. [21] Kutiyattam, adds Richmond, is "one of the oldest continuously performed theatre forms in India, and it may well be the oldest surviving art form of the ancient world". English: Kathakali is a highly stylised classical Indian dance-drama noted for its attractive make-up of characters, their elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. [42] Men who act the roles of women also add a false top knot to their left and decorate it in a style common to the region. [1] It is a "story play" genre of art, but one distinguished by the elaborately colorful make-up, costumes and face masks that the traditionally male actor-dancers wear. A host of similar traditional Indian musical instruments drama, originated approximately years. Which will surely give a magical experience of an ancient play is presented in a particular format that helps the! Dravidian cultures dances of India, http: //www.visita-kerala.com/images/DSCN0301.JPG views and opinions the... 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